Saturday, 17 September 2011

Tinker Tailor Soldier Spy

This has been a film that I have been looking forward to for some time. With the hugely talented cast including Gary Oldman, Toby Young, Mark Strong, Colin Firth, Kathy Burke and Benedict Cumberbatch, it was always going to be a must-see film. In preparation for this, I watched the television series from 1979 starring Alec Guinness as George Smiley. I am in two minds whether this was useful or not, on the one hand it filled in a lot of gaps and provided the back story, on the other hand it meant that I had a very good idea about what to expect in terms of pace, dialogue and obviously the ending.

George Smiley (Gary Oldman) is an intelligence officer working for MI6 (otherwise known as The Circus) who is forced to leave with his boss Control (John Hurt) after a bungled shooting incident in Budapest involving Circus agent Jim Prideaux (Mark Strong). After Control’s death, Smiley is rehired as it becomes apparent that there is a mole within the Circus passing information over to the Russians. To assist him, Peter Guillam (Benedict Cumberbatch) and Mendel (Roger Lloyd-Pack) have to undertake risky operations in order to get the information they require without the suspects noticing.

When Prideaux is repatriated, he confirms to Smiley that Control knew that there was a mole high up in the Circus and that part of his mission to try to undercover that mole. He also disclosed that there were four suspects, all of whom are given code names based on the Tinker, Tailor nursery rhyme. Further information is revealed to Smiley by British agent Ricki Tarr (Tom Hardy) who had a love affair with a Soviet trade delegate.

The story continues with Smiley ultimately identifying the mole.

The film is set in 1973 and particular care has been taken to make it look as authentic as possible and it must be said that the cinematography is excellent. There is a sense of weariness and slow decay that deeply permeates the film almost as if everyone knows that the game is up and that they cannot trust anyone at all. The pace is slow and lethargic, but this matches the mood perfectly. The atmosphere is intense, bordering on claustrophobic at times and there is a constant undercurrent of suspicion and oppression which each character goes through as the story continues.

In terms of performances, this has to be the best ensemble put together in quite some time. Lead by the masterful Oldman in a rare ‘good guy’ role, each actor steps up and performs in a measured and understated fashion – there are no show-offs in this film at all. The standout performance clearly comes from Oldman, who somewhat channelled Guinness’s Smiley, but also made his own mark on the role in a quiet but devastatingly effective way. Other notables include Cumberbatch who is excellent and Strong and Firth who were both impressive, particularly in their emotionally charged final scenes. A special mention should be for Kathy Burke who plays Connie, a former Circus researcher, for the best line in film this year: “I don’t know about you George, but I feel seriously underfucked!”

I thought the pace was just about right, the performances were powerful and believable. However, I didn’t feel engaged with the film and it will not make my top three of the year – top five definitely – but not top three. I’m still undecided if it works as a standalone film;  there is so much going on, that without knowing the back story, it would be difficult to keep track of who’s who and where all the various activities lead to.

Verdict: A brooding, atmospheric and intelligently made film, with superb performances from all cast members, but you need to have read the book or watched the TV series to fully understand what is going on. That said, it is a recommended watch and is well worth the trip to the cinema.

2 comments:

  1. I have to say (and this is not particularly a criticism of your review but the reviews of this film in general) that I did not find this a 'slow' film. Yes, this is not the movie for you if you're expecting loads of action scenes and multiple fast-paced cuts but I found it an engrossing, character-based film where there was something happening to move on the story in pretty much every scene. Not that a slow pace is a bad thing, I just do not think it applies here.
    Ok rant over, I would probaly agree with the bulk of your review; Oldman was the quiet heartbeat of the piece, and the rest of the cast were excellent, though I think Firth's performance has been underrated.
    I had no problem following the story without the prior knowledge of book or TV series. Whilst I am sure I missed some references and some scenes might benefit from some backstory (as with most literary adaptations), I think the film works on it's own terms.
    Your conclusions do sum it up nicely for me: excellent adult cinema experience but probably not in my top 3.

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  2. I did find slow, but it wasn't a problem as I think it was more powerful for it. However, I do think that had I not had previous knowledge of the book/tv series, then I would have struggled to follow the story. And I genuinely don't think that it quite works as a standalone piece. I completely agree with your comment about Firth (I would also include Strong in that assessment). I thought that their final scenes were fantastically done.

    As ever, Govie, thank you very much for our comments!

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